All 4 One all the way - it's highlight tracks might not be as good as the ones from ItN, but as an overall score it's the most solid, most varied, most atmosphere-building of Bross' soundtracks, if not in the whole series. ItN is a close second, but just like the game, at times it's actually dark, and at times it's "uuuuUUUuUUUuUu, spooooOOookyyyy" (not) and JUST LIKE THE GAME the finale in Meridian City is really weak. The PS4 game's soundtrack is a hit-miss for me, at some points it's amazing and at some it's as bland as you can get. And at many times it's just so focused on being "dubstepy", synth, Bergeaud-like or whatever that it forgets to help build level's atmosphere (Pokitaru's not the case obviously). Basically, I'd preffer if Bross just sticked to the more orchestral, atmospheric, ambient scores, like A4O, ItN and parts of the PS4 game, because that's what he does best - leave being David Bergeaud to David Bergeaud.